1950s chandelier designed by Angelo Lelli for Arredoluce
Exceptional big brass extra large chandelier designed by Angelo Lelli for Arredoluce. The chandelier base is in brass with sixteen Murano glass cones.
Details
Creator: Angelo Lelii for Arredoluce
Dimensions: Height 105 cm Diameter 95 cm Glass: 28 cm long
Materials and Techniques: Brass, Glass
Place of Origin: Italy
Period 1950-1959
Condition: The chandelier is in good vintage condition. The brass shows signs of age with patina, can be shined but I prefer it with signs of age.
Note that one glass has a crevice in the glas at the bottom (not visible when mounted) and one glass has been cut at the top, originally that glass was mounted in wall scones by the same designer but they were higher so this one glass has been altered (also extremely heard to see when mounted.)
Exceptional big brass extra large chandelier designed by Angelo Lelli for Arredoluce. The chandelier base is in brass with sixteen Murano glass cones.
Details
Creator: Angelo Lelii for Arredoluce
Dimensions: Height 105 cm Diameter 95 cm Glass: 28 cm long
Materials and Techniques: Brass, Glass
Place of Origin: Italy
Period 1950-1959
Condition: The chandelier is in good vintage condition. The brass shows signs of age with patina, can be shined but I prefer it with signs of age.
Note that one glass has a crevice in the glas at the bottom (not visible when mounted) and one glass has been cut at the top, originally that glass was mounted in wall scones by the same designer but they were higher so this one glass has been altered (also extremely heard to see when mounted.)
Exceptional big brass extra large chandelier designed by Angelo Lelli for Arredoluce. The chandelier base is in brass with sixteen Murano glass cones.
Details
Creator: Angelo Lelii for Arredoluce
Dimensions: Height 105 cm Diameter 95 cm Glass: 28 cm long
Materials and Techniques: Brass, Glass
Place of Origin: Italy
Period 1950-1959
Condition: The chandelier is in good vintage condition. The brass shows signs of age with patina, can be shined but I prefer it with signs of age.
Note that one glass has a crevice in the glas at the bottom (not visible when mounted) and one glass has been cut at the top, originally that glass was mounted in wall scones by the same designer but they were higher so this one glass has been altered (also extremely heard to see when mounted.)